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What recommendations do you have for a professional jazz sax player and plastic reeds?
There are a number of plastic reeds on the market these days. I can remember my first experience with Bari synthetic reeds 25 years ago when the reed actually made my lips bleed. The sound was super bright and without much color so it was basically unusable (although a few pros did get through the bleeding and learned how to play them).
Then there was the Fibercell reeds that were a little better and I used them for practicing but never on a gig. And about 5 years ago heard about the Legere Reeds. I tried them and they played pretty good but still had that plastic, bright and not much warmth kind of sound.
I never tried them again until about 3 years ago at the NAMM show and I was completely blown away about how much they improved and from that time on I’ve been hooked and even endorse the reeds now. Legere reeds are not only incredibly consistent from reed to reed but they play as good as my BEST cane reeds. The reeds are really responsive in all registers of the horn and have a warm, rich sound and uniform clarity from the bottom to top of the horn. Best of all, I know it’s going to feel and sound the same every time I play it, I don’t have to break it in and don’t have to worry about my reed drying out and warping while I’m playing one of my other saxophones or clarinet especially when I’m playing an outdoor event. In short, this is an amazing reed by any standard and I recommend them to every reed player I know.” Premium Synthetic Woodwind Reeds | Légère Reeds