Music Lessons in Burbank CA | Los Angeles Music Teachers

At the end of the day, singing is a physical process. It requires precision movements from your entire body. Because of this, singers need to take just as much care of their voices before they sing as when they’re singing.

Have you ever been to the gym and had a great workout but felt really sore the following day? Or perhaps you’ve been on a run with a friend and gone to bed that night with a clicking knee? Stretching can prevent the athlete from unnecessary damage and pain. Stretching your voice is just as critical. 
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Here are some of the best reasons why you should take the time to condition your voice with regular warmups. 

Warmups bring you right up to your best voice.
You may have noticed that some days you can sing all night without a problem. Other days, you might wear out by the second or third song. You may even have noticed that some days you can hit that high note, but other days it’s a stretch to come near it. You may find that you’re able to sing lower notes in your range at the end of the day than you can in the morning.

All of this can be worked through ahead of time by warming up your voice prior to a recording session or performance. And if you record at home, it’s much easier to notice how your vocal strength improves day by day by listening back to the recordings you make.

By gradually putting your voice through its paces, you’re able to loosen it up and get your blood circulating through all the different parts that make up your voice box. This gives you access to all the different abilities you have as a vocalist. By warming up, you don’t have to wait around for a “good voice day” to happen.

Warmups grow your skills as a singer.
Think of warming up as exercising for your voice. What happens to your voice when you warm up is actually similar to what happens to athletes’ muscles when they stretch and exercise.

Here’s a simplified explanation. Warmups prepare you for the intense vibrations that come along with singing. Controlled, steady vocal exercises will increase acid in the muscles surrounding your vocal folds, which helps those muscles do their jobs more effectively.

One of these jobs includes interacting with a tendon in your throat. When that tendon is properly engaged, it’ll stretch, giving you more flexibility and control over your voice.

When you properly and regularly exercise your voice, you build upon your abilities and become a much more effective singer.

Warmups help you sing healthily without damaging your voice.
Remember all that stuff above about the muscle and tendon? If there’s a high or loud note you can’t sing right away, forcing yourself to do it can strain your voice. You could literally pull a muscle or give yourself tendonitis. Ouch! Not worth it.

Have you ever tried to push through a long set on a “bad voice day” and felt tired and sore at the end of the night? Perhaps your speaking voice was mostly gone?

Vocal warmups before a show prepare your voice for the strenuous activity that is singing. It may seem counterintuitive. “How does singing before I sing make me less tired from singing?!” This is because warmups are a controlled, steady way of singing that doesn’t stress your voice out.

Warmups prepare your voice for the vocal event that is singing. When you sing something challenging in a performance without adequately warming up, you run the risk of damaging your voice and really hurting yourself.

When should you warm up?
Ideally, you should warm up every day. And if you’re not already, you should start slow. Do some simple exercises for 20 minutes every morning. Don’t try to belt out that high C just yet — you’ll need to work yourself up to that.

Remember, warmups help grow and unlock the skills that you already have. If you don’t have a regular warmup routine, it’s wise to consult a voice teacher and build one together so that you approach the exercises correctly.

These exercises should also be done the day of any strenuous vocal activity. If you have a show in the evening, warm up in the morning, then again an hour or so before the show. If you’re a public speaker, you’ll want to warm up ahead of your presentation as well.

Choose your favorite warmups and then make sure you’re practicing correctly.
If you’re familiar with vocal warmups, this will serve as a great reminder of what you already know. If you’ve never warmed up a day in your life, I highly recommend getting in touch with a teacher to properly lead you through your exercises.

Relax.
Relaaaax. Inhale, exhale. Good, healthful singing starts from a relaxed body. Do what you need to do to loosen yourself up — within reason, of course!

Some singers like to start their day with a hot shower and a lukewarm mug of licorice root tea. Feel all your tension melting away and your muscles becoming looser.

Practice proper breathing.
Proper breathing for singing is the way we breathe when we lay down. You want to imagine your chest is filling with air from the bottom of your lungs, up. Imagine a glass filling with water; the water fills the bottom first, then rises to the top.

To exhale, reverse it — empty your lungs from the top down. It will feel a bit unnatural at first, but you’ll become accustomed to breathing this way. This is how you breathe deeply.

Release tension in your neck.
The quickest way to damage your voice is to sing with tension. When you’re singing any note, you want to make sure your neck looks soft and relaxed. Sing in front of a mirror and watch your neck. Does it tense up? Can you see veins and ligaments protruding out at certain notes? Be mindful of where you’re feeling tension.

Your neck should look the same when you’re singing as it does when you’re not singing. This is true for softly sung songs as well as big belters. Although, if you’re screaming to heavy metal every night, I’m not sure there’s much you can do about those veins.

Stand up straight.
There’s a correct way to stand when singing. Straight! Don’t allow your shoulders to hunch. Plant your feet firmly on the ground, shoulder-width apart.

Now, imagine there’s a string that winds all along your spine and comes out the top of your head. Imagine yourself pulling that string and straightening out your spine, your neck, and lastly, your head. Your chin should not dip or rise, but be level with the floor. You’re ready to sing!

Pace yourself, and enjoy your newly warmed-up voice.​
Vocal warmups should be challenging the same way that going to the gym is challenging. You should leave feeling better than when you came. One crucial difference, though, is that vocal warmups should not leave you feeling sore. A good exercise will have you feeling ready to sing anything!

If you're interested in taking drum lessons on Zoom or In Person in Burbank, Glendale or North Hollywood, please contact us at (818)902-1233 or on our website at https://www.losangelesmusicteachers.com/online-violin-lessons-in-burbank-ca.html​

9 Questions to know before taking Drum Lessons at Los Angeles Music Teachers

Do I have to own a drum set to take drum lessons?
No. Many students start learning on a rubber practice pad and a pair of sticks. We recommend starting children at the age of five or six on keyboard/piano for a year or two and adults can start at any age. Then they have a huge head-start when they transition to Drum at the age of seven and it usually goes very smoothly for them.
Do I have to bring sticks to my first lesson?
No. Your teacher will have a pair you can borrow for the first lesson. Your teacher will suggest a pair of sticks that are the correct size for you based on music style, experience, etc. Then you can pick up a pair at a music store and bring them to future lessons.
Should I learn on an acoustic or electric drum kit?
If you are a beginner it doesn't really matter. There are some advantages to each. The cost is similar between electric and acoustic drums. You can wear headphones with electric drums and you can put rubber pads (silencers) on acoustic drums to bring the volume down. Please speak with your drum teacher about which drum set is right for you, your lifestyle and budget. You can always call our school office and someone will be happy to help you as with the brands and models as well.
What age is best to start learning to play drums?
Adults can start anytime! Students as young as five can learn to play but it is usually best if they wait until the age of seven to take drum lessons. Many people call us and say "my child plays pots and pans all the time and he is four years old. We want to get him into drum lessons." There is a big difference in having fun pounding away on pots, pans or even your desk if you are an adult and having your teacher give you certain patterns and songs to work on over and over until they are correct. Children under six and under generally don't have the attention span to take drum lessons. Instead, start them on keyboard until the age of seven and then switch them to drums if you really want to give them the best chance at success. Of course there are exceptions so please call us if you think your child is ready for drum lessons!
Do I have to bring my drum set to each lesson?
No. We have drum kits at our school for you to use at your lessons. However, you should bring your sticks (after the first lesson) and any books or other materials your teacher has you working on from week to week.
Do you teach snare drum and other percussion instruments?
Yes. Please call us for details as there are many different percussion instruments out there and various teachers at our many schools teach specific percussion instruments.
Do I have to know how to read music to play drums?
No. Your teacher will introduce you to drum music as you learn to play. Drum music notation is different than music notation for other instruments and is much easier to learn!
Are their performance opportunities for drummers at Los Angeles Music Teachers?
No. We are currently in an expansion in the school so we are just taking on private lessons, so we do not have any school concerts/performances, but any parent that would like to hear the students progress and want their child to have a performance to practice and prepare for, we can definitely set that up for you for we would like our students to grow and have something to work towards. We can set the drummers to perform a solo.
What kind of drums do you recommend for a beginner?
I would recommend contacting your teacher, there are many brands and models for basic and electric drum sets. Our teacher will give you the best advice on instruments you can purchase that will be excellent for you to start with.

​If you're interested in taking Drum lessons on Zoom or In Person in Burbank, Glendale or North Hollywood, we have some of the  best drum lessons in Los Angeles. Our drum instructors are picked by interviewing hundreds of drum instructors and we have really high standards on both their teaching ability as well as their personality. If you'd like to talk to one of our instructors or set up a first lesson we have a guarantee that if you don't absolutely love your first lesson you don't have to pay for it. Please contact us at (818)902-1233 or on our website at https://www.losangelesmusicteachers.com/online-drum-lessons-in-burbank-ca.html​

An Octave is one of the most fundamental principles that relates to how music is written, composed, and perceived.

All music you hear on the radio or on TV uses octave relationships in the melodies and harmonies that it is composed of, and the concept of dividing the octave into 5ths, 4ths, 3rds and finally whole and half steps has been around for centuries. It's the basic of what we call the tonal system of western music.

In this lesson, we will cover the basics of what you should know about how the Octave is used in music. 
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However, to best talk about octaves, we should cover what pitches and intervals are first.

What is Pitch?
When we play a note on an instrument or sing a note, that produces a sound. 

We can define that sound by a few different criteria, like how loud it is, how long it is, and what the pitch is. 

Pitch is just another word for the frequency of a note, or how “low” or “high” the note is. All frequencies, have "overtones".  The very first overtone above the fundamental (which is the basic note) is an Octave. The piano keyboard is also laid out in Octaves, i.e. if you look at the basic piano you will see a pattern of two black keys and 3 black keys. That pattern continues up and down the keyboard. That pattern is what is easily visual on the piano and divides up the various 8 octaves of the piano. 

If we hear a note that sounds like a baby’s cry, that would be a high-pitched note. 
On the other hand, a rumbling sound like thunder or train wheels would have a low pitch. 
​A note sounds higher or lower than another if it has a higher pitch, or frequency, than the other note. 

What is an Interval? ​
Now that we know what pitch is, we can discuss intervals.

An interval occurs when two notes – notes with different pitches – are played at the same time, and the interval is the distance in pitch between the two notes.

If two notes produce a really big interval when played together, then their pitches are really far apart, and if the interval between the notes is small, then they’re close together. 

There are many different names for all of the intervals. The smallest interval (shown on the right side of the picture above) is called a “semitone”, or “half step”. 

If you put two semitones together, you get a “tone”, or “whole step”. 
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Other intervals are given numbers as names, such as a “third”, “sixth”, “eleventh”, and so on. 

​This brings us to the octave.

What is an Octave? 
An Octave is a very unique interval. 

It is the interval between two notes, in which one of the notes has a pitch that is exactly double the pitch of the other note.

Pitch, as we said before, is another word for frequency, and we can define a note by giving its frequency as a number.

So, say for example that we have a note with a frequency of 220 Hz.
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We can call it A (in fact, the note with that frequency is an A). 

If we want to produce another note that will create an octave interval with the A, we have to either double that number – 440 Hz – or cut that number in half – 110 Hz. 

Therefore, if we have two notes, one with a pitch of 220 Hz and the other with a pitch of 440 Hz, then those two notes create an octave: 

You can also have notes that are two or three octaves away from each other. 

For example, the note with a 110 Hz pitch and the note with a 440 Hz pitch are two octaves away, because you have to double 110 twice to get 440.

We can then determine the octaves above 440 by doubling (880, 1720, etc.), and the octave below 110 by cutting it in half (55). 

Octaves are sometimes heard as basically the “same” note – like if a man and a woman are told to sing a “C”, they will most likely sing C’s an octave apart. 
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However, it still sounds like they’re singing the same note, because they sound so similar.

Summing Up
To sum up, the octave is one of the most common and easily-identified intervals in music. 
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Each instance of the same note (but different pitch) on a piano or guitar occurs as an octave, and each octave doubles the frequency of the one before it.

If you're interested in taking lessons on Zoom or In Person in Burbank, Glendale or North Hollywood, please contact us at (818)902-1233 or on our website at https://www.losangelesmusicteachers.com/online-piano-lessons-in-burbank-ca.html​

1. YAWN-SIGH TECHNIQUE - For this quick vocal exercise, simply yawn (take in air) with your mouth closed. Then, exhale through your nose as if you are sighing. This will help relax your voice and improve its range.


2. HUMMING WARM-UPS - Humming is one of the best vocal warm-ups because it doesn’t put a lot of strain on your vocal cords. Place the tip of your tongue behind your bottom front teeth and hum up and down the major scale while keeping your mouth closed. Each note should sound like (hmmm) including the (h) sound is less taxing on your voice.


3. VOCAL STRAW EXERCISE - To perform the vocal straw exercise (also known as straw phonation), take a straw and hum through it. Start at the bottom of your range and slide up to the top slowly and evenly. Then, hum your favorite song through the straw. You can also place the straw in a partially full glass of liquid and blow controlled bubbles in the glass.


4. LIP BUZZ VOCAL WARM-UP - As far as vocal warm-ups go, lip buzz (or lip trill, as it is sometimes called) is very simple. The goal is to make a motorboat sound by making your lips vibrate as you blow air through your mouth and nose. You can incorporate pitch slides as well.


5. TONGUE TRILL EXERCISE - The tongue trill vocal exercise is difficult for some singers. It involves curling your tongue and rolling your R’s as you go through your range from low to high.


6. JAW LOOSENING EXERCISES - When singing, you want to drop your jaw lower than when you are just talking. With your finger, trace back along your jawline from your chin to your ear. That curved space between your jaw and your ear is where you want to drop your jaw.
Pretend you are yawning with your mouth closed and feel where your jaw drops. Avoid just dropping your chin.


7. TWO-OCTAVE PITCH GLIDE WARM-UP - For this easy vocal warm-up, make an (eeee or ohhhh) sound and gradually glide through the chromatic notes of a two-octave range. Glide up and then back down. This will transition from your chest voice to your head voice.


8. VOCAL SIRENS EXERCISE - Much like the pitch glide, the siren exercise takes an (oooo) sound and gradually goes from the lowest note of your range to the highest and back down, like a siren for an emergency vehicle. The sound is continuous and covers the tones between the notes.


9. VOCAL SLIDES TECHNIQUE - This technique is also known as a portamento, which is Italian for (the act of carrying) Much like the siren exercise, you slide from one note to the next in your range, but you don’t sing the in-between notes.

If you're interested in taking vocal lessons on Zoom or In Person in Burbank, Glendale or North Hollywood, we have some of the  best vocal lessons in Los Angeles. Our vocal instructors are picked by interviewing hundreds of vocal instructors and we have really high standards on both their teaching ability as well as their personality. If you'd like to talk to one of our instructors or set up a first lesson we have a guarantee that if you don't absolutely love your first lesson you don't have to pay for it. Please contact us at (818)902-1233 or on our website at https://www.losangelesmusicteachers.com/online-voice-lessons-in-burbank-ca.html​