Are you looking for the best flute teacher? Do you want to learn how to play the flute? There is no doubt that musical activity is great for both the human body and mind. It is an excellent type of cognitive exercise. There are several instruments that can help you develop lifelong skills. The flute is one of the most beneficial and easy to learn instruments.
If you want to have a fun and new hobby that promotes wellness, you should give flute a try. Here are the few of the reasons for playing the flute.
Promotes Sense Of Achievement
For a beginner flute player, the capability to have a clear tone or for holding a note for a few seconds call for celebration. This is because every improvement for the flute players is a huge achievement that both the teacher and student must be proud of. Moreover, as the time passes, players learn new things and become better. This means the achievements also becomes more challenging and bigger.
Improves Your Math Skills
One of the reasons for playing the flute is that it helps in giving your math skills a boost. This is because when you learn the rhythm of various songs, you will be using your math skills and pattern. According to a study, children who learn to play an instrument are good at math.
Gives Body Coordination A Boost
When you learn to play the flute you will be improving coordination. It is because learning flute requires hand-eye coordination. This is because the player will have to see the notes and convert it into finger patterns. The player must keep focusing on other tasks as well including dynamics and rhythm.
Good Memory Capacity
There is no doubt that music can help you learn complex and new concepts. According to experts, listening to music and learning to play an instrument helps in enhancing your memory. Playing an instrument will help you increase the capacity of your memory. It will help you easily remember and retain it for longer periods.
You Can Learn New Skills
For beginner flute players, it will be beneficial as it will help learn about time management and organization. In music, quality of practice is crucial rather than quantity. This is the reason why expert musicians plan, organize and prioritize the time. It is to ensure they get the best out of every session.
Learn About Responsibility
Playing an instrument is a huge responsibility. This is because you will have to take proper care of the instrument. You will have to clean it, polish it after practice. The same goes with a flute; after every practice, you must clean it. Additionally, the flute players will be able to become more responsible as they will have to take out time for practice.
In the end, there are many music school teaching various instruments; however, not all of them are trustworthy. The best music school is Los Angeles Music Teachers. We are always happy to teach students to play flute knowing we are helping them develop good qualities and skills. Hence, the flute is an extremely useful instrument that everyone should play.
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Is it a good choice to have a go with a recorder like JSax or Venova before jumping to the mighty tenor sax?
Unless this question is for a child under 10 years old I would not recommend wasting your money on lessons on a recorder type instrument. If you want to learn about the basics about reading notes and counting rhythms and a few other foundational aspects of music with some free lessons online, playing a recorder or some other basic 6 hole woodwind may make your beginning lessons with the tenor sax a little easier to comprehend. But having said that, if you know you want to play tenor sax then find a good teacher with good reviews and study the tenor sax. Saxophone is one of the easiest wind instruments to learn, (although it does take just as much time to “really play” it as any other instrument) but it’s an instrument that you can “have fun” on in a much shorter time then other wind instruments. If you want to start on an easier instrument than the tenor sax, I usually recommend the alto sax just because it’s easier to handle, get a decent sound and there’s more of them on the market, so you can usually find a little better deal on a used horn. Switching from alto to tenor is pretty easy once you get good on the alto, and if you buy a good used saxophone you can usually get most if not all all of your money back when you sell it.
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I studied the clarinet after learning the saxophone and I think the main issue that is important to stress is the extra resistance that you get on the clarinet (even on the bass clarinet) which is partially due to the cylindrical bore (the sax is a conical bore and has a more loose embouchure and freer blowing airflow). Along with that, is that the saxophone fingerings are far the easiest and most logically designed of all the woodwinds. Also, because the clarinet over blows at an octave and a 5th it requires a whole 5th of awkward fingerings in the so called “throat” register which are not only difficult to master but also difficult to get a full sound like the rest of the instrument.
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Without knowing your level of musical ability, I think that no matter what level you are, you can safely start with either or both of these two different approaches:
1. One way would be to play the progression using different inversions of the chords as you make smooth stepwise motion in your chord progression. IIf you don’t know how to do that, ask a competent keyboard player. Once you come up with some nice smooth and melodic connections of the chords the melodies will begin to be obvious to you immediately. You probably won’t hear the melody “all at once” but you will hear the basic skeleton and then the more you work with it you can then start to hear how to embellish it and come up with an interesting melody. Don’t think about the theory of what are the correct notes of each chord, just let your ear guide you and try to let it happen organically. The more you work with the progression the easier it will get to hear the notes that work naturally over the chords.
2. The other way would be to set some kind of rhythmic feel with the progression that you may already have in your head, and lay that down on a recorder or GarageBand. After you have a basic feel or groove laid down, you should then play it over and over and start to listen in your head for melodies that come naturally from the progression. Do this over and over and eventually you may even be able to hear the progression even without the recording. If you’re able to hear the whole thing at once in your head then just close your eyes and see if you can hear a melody. Just relax and put it in a loop in your head and eventually you can just start to sing little melodies that you come up with and at that point you’ll want to record them as your experimenting. The more you get the progression in your head the easier you will start to hear an organic melody, rather than just trying to peck something out on the piano or other instrument, it will usually get in the way as you stumble trying to find the notes. Instead, try letting your creative mind work without being distracted by the technique of the instrument. Using your voice in conjunction with your ear is always the most natural and musical way to create music.
There’s plenty of other ways to create melodies as well but in general, using your imagination rather than trying to try to play it on an instrument, even if you’re proficient on the instrument, it will tend to get in the way so try using your voice and record it so that you can go back and transcribe it. Your voice does not get in the way (except if you have absolutely no concept of pitch) and by using your voice you are in more direct connection with your creative mind. It’s a skill, but if you practice it on a daily basis you will start to develop your ability to come up with very musical melodies.
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Making yourself known is the best way of finding other musicians.
1. Go to jazz clubs, jam sessions and anywhere you can meet other musicians. Make sure you introduce yourself to as many people there as you can including the musicians in the band. For all the people in the audience, chances are that they are there because they either play or really love jazz. If they don’t play themselves, they probably have friends that play. Give your phone number to everyone you can and tell them to call you if they ever want to jam.
2. Put up flyers on bulletin boards at colleges and rehearsal spaces. The more musicians who know about you, the more are your chances of someone calling you to play.
3. If you join the Musicians Union in your town, you can meet hundreds of musicians by showing up for rehearsal bands rehearsals which happen everyday all day. You need to let EVERYONE you know that you play an instrument and you’re looking for other people to play with.
4. Set up your own Youtube and Facebook and or Instagram channel and make quality videos of you jamming to play-a-long records and then start getting people to listen and comment on them.
5. Join groups on Facebook which are Jazz oriented or (there’s hundreds of them) and post that you are looking for other musicians to play jazz.
6. If you take some jazz improvisation lessons at a local music school, you will meet lots of people there and you can also ask your teacher if he knows of anyone looking for other musicians to play.
Making yourself known is the key element of finding people to play jazz with. It may seem obvious, but the reason that many musicians sit home alone and never play with others is that they are too introverted or too lazy to put the energy out there and meet people. If you are good or even semi good, let people know and you will start to finding people with the same interest. There are so many more people just like you who are asking the same question. They’d love to be able to play in a band but they don’t know how to find other musicians. They may be your colleagues at work or your neighbors, so tell EVERYONE!!
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